While lecturing in Orvieto, Italy, this year, Matthew Fox encountered the powerful fresco of the Antichrist painted in the Cathedral at the outset of the 16th century by Luca Signorelli. He portrays the Antichrist in the context of his day and culture. This archetype reminds us of the dark side of humanity and politics. Fox’s creative and critical eye turns it into a searing device for examining the deep stakes in the 2024 election.